Monthly Archives: March 2018

Verberate By Acon Digital

  It’s hard to use words to describe how a reverb is going to sound. We use reverb on everything from guitars to clave to audiobook dialogue, so it’s difficult to recommend what’s going to sound good for you. I can, however, explain the extremely thought-out interface of Verberate and how you can make this

2020-06-23T20:41:03+03:00March 20th, 2018|Categories: Plugin Reviews, Reviews|Tags: , , , , |0 Comments

KH310 By Neumann

  The awesome Neumann KH310 is the evolution of the classic Klein Hummel O300.  The KH310 looks very much like the O300 and has the same dimensions but it has been completely redesigned.  In this review, we won't be focusing on numbers regarding the speaker because I want to focus on how they sound, but

2020-06-23T20:41:33+03:00March 7th, 2018|Categories: Gear Reviews, Reviews|Tags: , , , , , , |0 Comments

Equalize By Acon Digital

   Before I downloaded the Equalize plugin, I was a complete newbie to Acon Digital. They’re a Norwegian company based out of Oslo that specializes in audio software products. My first impression? These guys mean business. There's a very polished and professional feel to this company. It's different from what I'm used to in the

How to Approach Drum Layering

  In modern music production, drum layering can be highly beneficial for poorly recorded drums in the home-studio or just as an enhancement for top quality recordings from a high-end project. Benefits include: • Full control and manipulation over the end result • Sculpting truly unique and original sounds • Bringing greater depth, width, and

Analog Brass and Winds By Output

  I had heard a lot about Output products but never got to try them. Until I got the opportunity to try Output's Analog Brass & Winds. I was blown away by the quality of the sounds. what I really liked about this virtual instrument is the simplicity of the design. It’s straightforward when it comes

Using Parallel Compression Creatively

  Creatively speaking, parallel compression is an effect. Technically speaking, you’re controlling the dynamic spectrum of a sound while simultaneously preserving its authenticity in your mix. The creative concept is far easier than the complicated process it’s made out to be. Like making a cup of coffee, duplicate the track, throw whatever compressor you want

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