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16 results for mix-engineer
Avoidable mistakes in Music Production
Editorial
Musixon Editorial Team

Avoidable mistakes in Music Production

Intro As much as we may hate it, mistakes are part of life. Without them, we wouldn’t be able to learn from them and become better at whatever we want to achieve. Sadly that takes effort and time, but why not save us some of that by looking at others’ experiences? In this article, I’ll

Barefoot Footprint 01
Editorial
Musixon Editorial Team

Barefoot Footprint 01

When most audio professionals (artists, producers, engineers, mixers) hear the name Barefoot they associate it with unaffordable speakers that they would only dream of owning or using at a big studio. The reality is that most of us are in our home/project studios that can’t faci…
Verberate By Acon Digital
Editorial
Musixon Editorial Team

Verberate By Acon Digital

  It’s hard to use words to describe how a reverb is going to sound. We use reverb on everything from guitars to clave to audiobook dialogue, so it’s difficult to recommend what’s going to sound good for you. I can, however, explain the extremely thought-out interface of Ve…
How to Mic A Guitar Amp
Editorial
Musixon Editorial Team

How to Mic A Guitar Amp

Nathan Kidd from Method Music Productions Describes the Basics of Mic'ing a Guitar Amp in depth.   Nathan Kidd – Mix Engineer and Music Producer Production/mixing Inquiries: [email protected]  

KH310 By Neumann
Editorial
Musixon Editorial Team

KH310 By Neumann

  The awesome Neumann KH310 is the evolution of the classic Klein Hummel O300. The KH310 looks very much like the O300 and has the same dimensions but it has been completely redesigned. In this review, we won't be focusing on numbers regarding the speaker because I want to…
Equalize By Acon Digital
Editorial
Musixon Editorial Team

Equalize By Acon Digital

  Before I downloaded the Equalize plugin, I was a complete newbie to Acon Digital. They’re a Norwegian company based out of Oslo that specializes in audio software products. My first impression? These guys mean business. There's a very polished and professional feel to thi…
Using Parallel Compression Creatively
Editorial
Musixon Editorial Team

Using Parallel Compression Creatively

  Creatively speaking, parallel compression is an effect. Technically speaking, you’re controlling the dynamic spectrum of a sound while simultaneously preserving its authenticity in your mix. The creative concept is far easier than the complicated process it’s made out to…
The Low End Theory
Editorial
Musixon Editorial Team

The Low End Theory

  Let’s talk about everyone’s favorite: Bottom end! No, not big booties, I mean bass, sorry. It can be deceptively impressive when playing mixes with a lot of low end on big speakers. However, would you be surprised if I told you, your low end may be the very thing that is…
A Creative Approach to the Equalizer
Editorial
Musixon Editorial Team

A Creative Approach to the Equalizer

  Let’s talk about equalizers. I know you already know how to use one, so I’m not here to bore you with the technical details. Rather, through this short article, I hope to leave you with a creative new perspective on how to approach an EQ. If you are an audio geek like me,…
Outer Space By AudioThing
Editorial
Musixon Editorial Team

Outer Space By AudioThing

  Overview Audiothing Outer Space is a must have – bringing your creativity to a new level. Being a mixer, the importance of having a collection of plugins and analog gear at my disposal is paramount. Especially when I am in a creative block and in need of inspiration. This…
How to Get the Right Snare Sound
Editorial
Musixon Editorial Team

How to Get the Right Snare Sound

  In any genre, the snare drum is almost always one of the most dominant sounds in the mix. Changing the snare drum sound can change the entire feel of a song, whether it be rock, country, pop, metal, etc. I’m going to go through some techniques that I use to make the snare sound

The P&M Analoger By Plug&Mix
Editorial
Musixon Editorial Team

The P&M Analoger By Plug&Mix

  I have always been a huge fan of anything saturation.  The P&M Analoger is a great tool that gives a vast variety of options, from tube to tape saturation. Saturation on my drum bus has been a part of my process for years, so I decided to start with that.  I started with the plugin at

The ORB By AudioThing
Editorial
Musixon Editorial Team

The ORB By AudioThing

  "Genius” is what I would use to describe the creator behind this plugin. I haven’t come across an audio plugin like this. It functions as a Phaser, Talkbox, Step Sequencer, Filter and Vocal synth. Depending on how you use it, you can get surprising results. It is designed…
LEVELS By Mastering The Mix
Editorial
Musixon Editorial Team

LEVELS By Mastering The Mix

  I recently received a copy of the LEVELS plugin made by Mastering the Mix. As a mixing engineer, I like all my tools to be simple and intuitive so I can stay focused on the music. The first impression of LEVELS was that the user interface is very user-friendly and looks very clean. It

Interview with Sam Pappagallo
Editorial
Musixon Editorial Team

Interview with Sam Pappagallo

Hi Sam, thanks for taking the time to chat with us.  Tell us a bit about yourself, your production style, and what got you into the studio production world. My name is Sam Pappagallo and I run Screaming Parrot Studios, which is a professional home-based studio located in Pottstown PA which is about 35 miles outside of Philadelphia. We primarily work with pop-rock, pop-punk, and heavy rock music, but can record singer-songwriter, metal, hip-hop, and rap. As an engineer, I started off in the hi
The Drum Recording
Editorial
Musixon Editorial Team

The Drum Recording

  The two most important things of getting a good sound drum sound are to have a good drummer and a good drumset so what makes a good drummer?  A good drummer will be able to play on time, he will have a good balance when hitting the drums (for example, he will hit the